successes


I’ve called myself a working writer before, but that’s because I work at a full time job and write on the side.  But now, I can call myself a working writer — someone who gets financially rewarded for writing.  I’ve been hired for my very first paying freelance job!  A good friend of mine from college hooked me up with a gig and I get to work at it over the summer.   It’s perfect timing, because my job slows down in the summer (due to the students being done with school), so I’ll have energy to devote to other work.  I am really excited to try something new, and of course, get paid for it.   If it works out, I may try to actively seek out more freelancing later.  Woo-hoo!

My worldly responsibilities got the best of me.  Unfortunately, I missed Friday through Sunday of NaPoWriMo, because I was working on other things. I think the problem for me was that poetry takes a bit of attention and I put my attention in so many different directions.  So, for now, I’m surrendering on NaPoWriMo, although I may crank out a few more quatrains on the bus this week.

So here is my final count for the project:

24 Poems Written
1 Prose Poem
1 Found Poem
12 Quatrains
4 Free Verse
1 Syllabic
2 Batches of American Sentences
2 Haiku
1 Ghazal

Overall, this is a darn good count and I’m proud of it. This is probably more poetry than I’ve written in 2-3 months, so I think that this project was still a success, even if I had to surrender with 6 days left.  Maybe next year I’ll go the distance…

Last night, I went to an awesome Halloween party, hosted by a friend from my last job. It was a costume party, of course, and I went as a haunted doll (hence the picture above) and my husband went as an apocalypse survivor. We all read scary stories, an annual tradition inspired by the famous party attended by Mary Shelley and Lord Byron where Shelley debuted Frankenstein. Yes, we’re very nerdy.

Our scary story elocution is a contest. There were a lot of scary stories, including a murderous game of cat and mouse between Alice and the White Rabbit, a cabal of cannibalistic foster children, a librarian who unwittingly donates her soul to the devil, a creepy doll party (my husband’s story) and a reverse chronological detail of a murder gone wrong. After 3 years, I won the coveted Raven Award with the story about Scotty that I posted a bit of for Writers Island, and I’m totally excited about it.

So as promised, here is the Scotty Potty story, in it’s entirety. It is long… but it is officially award winning.

The Stranger

I loved waking him up in the morning. I wished I could still sleep as he slept. His body twisted in pretzel shapes, clutching his raggedy bunny doll. I could never sleep that soundly anymore, not since bills and mortgages and project deadlines, and waiting to hear if he would stir.

This morning though, he was awake when I walked in. The room was freezing; the window beside his bed was open halfway. He figured out the childproofing — he’s only 5. His face was turned away from me, towards the icy air.
“What’s going on, buddy? It’s freezing in here.” I reached toward the window to shut it; he turned on me. His face was gray ash, his blue eyes shining.

“Don’t shut it. I need to get used to it.”
“Get used to what?”
“Cold. It’s cold where I’m going.”

I wondered if he was still asleep, night terrors like some of his kids in play group get. “School? It’s not cold there – they have heaters in the classrooms.”

My son looked down at his hands. He looked like his mother whenever he looked down, the heavy-lidded eyes, the pink lips. This morning, his lips were almost blue. His hands were empty.

“Where’s Mr. Carrot?”

He looked out the open window and I followed his gaze. Mr. Carrot was 10 feet from the house, half buried in the morning snowfall.

“Why’d you do that kiddo? Mr. Carrot’s going to need a bath now.”
“I don’t need him anymore. He can’t help me.”

I read about this in all the child-psych books, security blanket type issues. He’s ahead of schedule, but that was nice for once. He was smaller than all the other boys in kindergarten.

“What’s Mr. Carrot supposed to help you with, pal?”
“It doesn’t matter.” He paused, slid to the edge of the bed.
“Daddy?”
“Yeah, pal?”
“How come you never call me by my name anymore?”

Before I could answer, he padded to the bathroom and shut the door.

He was quiet at the table, we all were, the three of us chewing our cereal. Only the dog noisily snorted his approval of breakfast. As my son fished the final Cheerios out of the milk, I grabbed my keys and his book bag. Our daily routine.

“Alright pal – time for learning.” I used my post-caffeinated singsong voice. He stared at his cereal bowl.

“I don’t want to go,” he said as if to the milk.
“It’s Thursday, little man. Only two more days and then we can party on the weekend. We’ll do forts on Saturday. Promise.”
“I hate it there, Dad. They hate me.”
“Who hates you?”
“Everyone. They pick on me.”
“They don’t pick on you.” My wife shot me one of her looks. This was a lie. His kindergarten teacher, Mrs. Keely, had already phoned us on several occasions, because he couldn’t play at recess without being ridiculed. I know how hard it is to fit in, but I figured he had to learn to fit in. We all do.

“They call me Scotty Potty.” I bit the inside of my cheek — it was so minor, so nothing, but that must be horrifying to a five year old kid. My five year old kid.

“Don’t let it eat at you, Scott. Ignore them or go play with someone else.” I walked towards him – put my hand on his shoulder. At that moment, he transformed into a whirring vehicle of rage. He screamed, kicked, windmilled his arms.

“I donwana donwana donwana donwana–” He screamed those words over and over, a stream of syllables.

I had never seen him like this, not in five years of baths, bed times, and vaccination shots. This was more. He was a stranger to me then, someone else’s child full of rage.

We did what we could. I grabbed him by the pants, she hoisted him beneath the armpits, until little by little his voice grew hoarse from screaming and we somehow managed to squeeze him into the car. He finally stopped.

The entire drive to school, he never looked up.

When we arrived, I pulled Mrs. Keely aside. Told her about the tantrum, the nickname, the favorite stuffed animal face down in the snow. She smiled one of her wan, kindergarten teacher smiles.

“Paul, it’s natural for a boy of his – sensitivities – to dislike school. To fear the large groups of kids. I’ll keep an eye of him today, I’ll call you if anything happens.”

I left the classroom, the peeling posters on the wall, the cliques of kids already forming around the plastic house play sets and coloring books. I waved to Scott from the window; his face was still flushed and red. A group of boys sat in a circle around him, surrounding him. He did nothing and I left for home.

I spent the morning as I usually do, cleaning up dried milk puddles off the kitchen table while chatting with clients. I looked at those stubborn white films as the evidence of our lives together. Our table is ringed with the ghosts of former mornings, because they never truly disappear, even when I scrub. This morning, Scotty’s stain was thin translucent white and it flaked off in one intact iridescent circle. I didn’t need to add water; it just lifted off, like it was never there in the first place.

It was then that I remembered Mr. Carrot, lying in the snow. I wonder what inspired him to send the stuffed animal sailing out of the window late last night. He loved this rabbit. It’s been with him as long as he’s been alive. I stepped into my snow boots, barefooted, still chatting with my client. He was yammering on about project synergy and inclusive cooperation, or some other corporate bullshit. This is why I like to work from home, to remove myself as far as possible from corporate identity annihilation.

Mr. Carrot was still face down in the snow; he seemed to be sinking. I picked him up, his fur was stiff from the ice and cold. As I turned him over, I dropped the phone and it was immediately swallowed by the snow. Somehow, Scott had gutted Mr. Carrot. Not just gutted. His stomach was ripped open from throat (if he had one) to crotch. All of his gray stuffing was spilling out of the wound. I looked closely and found chew marks along his center seam, as if Scott had used his teeth. His button eyes had been plucked off and were hanging by single threads from empty cotton sockets. At that moment, the house line rang its insistent cheerful tone.
I fished the office phone out of the snow bank, hung up on the client. Fuck him. I’ll pay for it later, I’m sure. I slid-ran inside, picked up the phone.

“Mr. Noonan? This is the Franklin Elementary Principal.”
“Yes, Mr–?”
“Dr. Batton. It’s your son. An incident has occurred. You need to come in. Immediately.”

I took Mr. Carrot with me, even in his sorry state. Scotty may need him if he’s okay. That was my only thought as I drove – 55 in a 25 – the mile and a half to the school. If he’s okay. I wasn’t even praying for him to be okay – I just let the if hang there.

When I arrived, there were ambulances, cop cars, a field of red and blue flashing lights. A small stretcher was being wheeled out of the school. A little four foot body, draped in a heavy white cloth lay motionless upon it. Blood soaked the sheet where the face should be.

Instinctively, I ran to the stretcher. Told them I was the father. I needed to see what they did to him for myself. I uncovered the body from the feet, noticed that these weren’t Scotty’s shoes. A hand grabbed my arm forcefully. Someone said, “You’re not the father of this one.”

I was led into an empty classroom. They were all empty, but this was his classroom. The room was dark, the peeling posters of circus clowns and cartoon characters glowered at me. Their faces took on gray shadows. Scott sat on the nap map. As soon as I walked in, he looked up at me. I ran to him. He was unscathed – no cuts, bruises, broken bones, as far as I could tell. But he was covered in blood. Blood on his hands, on his yellow Dora sweatshirt. Blood around his mouth.

“What happened, buddy?”
“They didn’t call me by my name, Daddy. They never called me by my real name.”

I hovered over him, not knowing what to do. All I knew is that I didn’t want to take this one home.

In Natasha Trethewey’s book Native Guard, she includes the amazing poem Myth. In this poem, she creates a mirror image where the first line becomes the last line, the second line becomes the second to last line. The poem almost folds in on itself and it can be read backwards and forwards.

During the discussion for book club, Sasha asked if anyone was going to try the form. I didn’t think I could do it, but lo and behold, this poem came out. It ain’t perfect, but I’m pretty darn proud of it, due to the dexterity of the form.

If anyone knows the name of this form, please tell me. I couldn’t find it anywhere!

Alice at 40

“It’s a poor sort of memory that works only backwards.” The Queen, Through the Looking Glass by Lewis Carroll

Her little life turned out
just as she had planned:
a pretty package, complete with tidy bow.

Her face remained, mirror smooth and calm,
while beneath the surface, reflections raged
every passing moment.

She found it impossible to put them into words,
so letters tumbled out, a muddy soup of sound.
She tried to swallow it whole again, which never works.

* * *

She tried to swallow it whole again, which never works,
so letters tumbled out, a muddy soup of sound.
She found it impossible to put them into words

every passing moment.
Whle beneath the surface, reflections raged,
her face remained, mirror smooth and calm,

a pretty package, complete with tidy bow.
Just as she had planned,
her little life turned out.

I had one of those cheesy, after school special teacher moments with one of my students two days ago. I’m being a little overly glib here, it actually meant a lot to me, because I was having a really rough day.

One of my students came up to me in the hall to tell me that he had just been awarded an internship at a prestigious resort. I congratulated him and shook his hand. He then said to me, “I never told you this before, but your class really helped me. By letting me write about what I wanted to write about and supporting me, it really opened up my life.” I had to mock getting teary-eyed, because I was really getting a little weepy.

I’ve been thinking about that all week. I’m at a point with my class that I teach it by memory. We have 8 six week terms a year, 2 sections of English a term, times 2 years. I’ve probably taught my course about 80-90 times. If I have 20 students in each section, I’ve taught about 110 students at this school alone.

I forget that I develop significant relationships with these people. I say hi to them in the hallways, check up on them after their done with me, but I’m their first contact (since English is their first course) to higher education and to the way that learning changes you.

I also forget that the things I say in the first week:

writing is a path to personal expression and self awareness
writing can open up new worlds for you
the way you view and use language shows your world view

are actually true. And they actually matter to people other than me. I’m really lucky that I have this job.


For my 4 Week Fiction Primer, I read an excellent essay by Fred G. Leebron entitled “Not Knowing.” Of course, it was a handout, so I have no idea where it came from, but it really opened my eyes. According to Leebron, if you know where your story is going, then your story will die. Automatically. My favorite quote from his essay, “I had made myself pre-designate the size and shape of the work before me. …I couldn’t write knowing too much…”

I’ve been struggling with this fiction writing, primarily because I never know where it is going. I feel like all I do is write descriptions, and nothing happens, because I don’t know what’s supposed to happen. Then, I sit in front of my computer, staring at the blank page, waiting to know what’s going on. My desire to know everything constricts the life out of whatever I’m writing.

Despite Leebron’s assurances that writing while not knowing will produce the good work, it is perhaps the most painful part of the fiction writing process. I am terrified, while writing, that I don’t know what’s going to happen, therefore, nothing ever happens. Then, I do my best to gain control.

It’s not like I am unfamiliar with this idea in writing. In poetry, I start with an image, sometimes barely a blip, and a few words, and then I figure it out while I am writing. I guess I am just so accustomed to this in my poetry, that it isn’t as difficult as the fiction. Also, I think there is an assumption/prejudice that poetry is somehow more instinctive than fiction or that fiction is more planned than poetry.

While Leebron’s essay was helpful in the sense that it proved that everyone had the same process as me, I am still unclear as to where I am supposed to go from here. How do I break myself of the habit of wanting to know?

When I was in college and graduate school, I studied poetry almost exclusively. Like good liberal arts colleges and universities, both writing programs forced me to take a few mixed genre classes. And like a lazy liberal arts student, I breezed through the assignments as quickly as I could. Poetry is my genre, has been, will be, forever and ever. Amen.

Then, a curious thing happened, right after I finished my poetry book manuscript. Poetry & I stopped getting along. With my manuscript, I felt like I said everything I could say within the genre of poetry, for the time being. Yet writing still had to be a part of my life, because I don’t know who I would be if I wasn’t writing. Or at least trying to write.

So, for the past 12 months, I have been writing fiction with little success. Like a good poet, I can capture voice and description, but I write lots of long winding pieces without any plot. With muddled point of view. And yesterday, I had enough. I’ve written too many piss-poor first drafts that went nowhere. I didn’t know how to continue and couldn’t necessarily go back to poetry just yet.

Luckily, my husband is a prose writer, and has been as steadfast in his dedication to fiction as I have been to poetry. After my freak-out, he created for me a 4 week fiction primer, on the necessary schooling for a fiction writer. His primer includes:

Week 1: Shitty First Drafts

Week 2: Point of View

Week 3: Plot

Week 4: Revision

Optional Week 5: Detail & Characterization

Optional Week 6: Characterization

He gave me a reading list and writing assignments for each week. I’m feeling pretty lucky to have this generous of a husband. And pretty excited to be back in school, at least for a little while.

I finally was able to write today. Nothing significant for 2 weeks and then – boom! 8 pages in 2 hours. I forgot how alive it feels to be in a good writing space. I barely felt the time pass.

At the end of my time, I was able to enter my progress into my writing schedule worksheet. I’m obsessed with all things Excel. I use it to organize everything, but it is especially helpful for my writing practice. My husband lent me the Excel sheet that he’s using to track his project with his novel, and now I’m hooked.

It sounds a bit OCD, I know, but using an Excel sheet to track my progress allows me to see a lot about my writing habits. I give myself goals – 4 hours of time and 6 pages of writing – per week. Then, I enter my time and page rate into my sheet. Overall, it allows me to see what days and times work best for my writing practice.

Of course, entering a long string of zeros (during my slow periods) feels like crap, but an honest evaluation of my progress (and regress) is the only way I can improve as a writer.

I woke up this morning, before dawn broke, with this quote from Ani DiFranco in my head: “I don’t always feel lucky, but I’m smart enough to try. Because humility is buoyancy and above us, only sky.” I have this posted above my writing space at home, as a reminder to feel lucky in the face of everything. Often times, it’s so much easier for me to focus on the stress and negativity in my life, without considering all of things for which I have to be thankful and humble.

So, in the spirit of the day before Thanksgiving, before I have to clean my entire house in preparation for my mother’s arrival, while I am watching the Minneapolis sky turn light blue as the sun rises, here is what I am thankful for:

1) My family — I am very lucky to have a husband, 2 kitties, 2 parents, and a sibling who love me unconditionally. Every day, I try to remember how lucky I am to have these people & animals in my life.

2) My home — It’s getting cold here in Mpls, and I know that I am very blessed that I have a safe place to live and work.

3) My friends — I have an eclectic amalgamation of friends who I have kept track of semi-successfully over the years. These are the people who have known me through all of my embarrassing phases and transformations and who still love me. (A special thank you should be mentioned for my Mpls. guy friends who stuck with me once I discovered feminism and the Womyn’s Center in college.)

4) My writing — There are times when it seems more like a burden, a chore, a curse, and a failed attempt at expression. (Often all at the same time.) But there are also times when I am driven out of bed, a la Alice Walker’s “I Said to Poetry” and I feel so thankful for those moments of sudden inspiration.

There are a million other small things that I have to be thankful for, everything from computers and cars and addictive television shows/movies, to the brilliant pink sunrise outside my window this morning. But these are my major blessings that I have experienced throughout my life.

So, hopefully, while I’m stuffing myself silly, I’ll be able to remember this list. What are you thankful for?

I started class again today. My school is on a 6 week term schedule, so every 6 weeks is an opportunity to screw up or succeed… for both students and instructors.

As a teacher, I force my students to journal 3-4 days a week. Sometimes it feels like forcing, sometimes it doesn’t. To be completely honest, this is more than I journal, myself. I use quotes as starting points for discussion and inspiration, and then ask them to respond to it in writing for 10-15 minutes. As first week quotes, I use the following two:

If not, when? If not me, then who? — Talmud
As long as you start, you are all right. The juice will come. — Ernest Hemingway

In the spirit of those quotes, I decided to start this blog today. I’ve been struggling, now that I’m out of graduate school and working 40-50 hours/week, to fit writing back into my life. So here is a way for me to practice… and back up what I tell my students.

Here’s to hoping that it works.